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Table of Contents

Articles
GIULIA DANIELE: Prospero Fontana and the Impact in Bologna of Perino's Christ Healing the Lame at the Pool of Bethesda
291
MATHEW NORMAN: Two New Drawings Related to Prints in the Carracci Scuola perfetta
307
ÁNGEL RODRIGUEZ REBOLLO: An Unpublished Design for a Retable by Alonso Cano in the Musée Magnin, Dijon
317
ANGELAMARIA ACETO: A Drawing by Simone Cantarini, Called Il Pesarese, in the Ashmolean Museum, Oxford
327
MARTIN EIDELBERG: Watteau’s Drawings for the Plays of Thomas and Pierre Corneille
333
FRANÇOIS MARANDET: Jean-Baptiste Vanloo: His Draftsmanship Elucidated
343
JON DAVIES: Sell Your Parents: Marketing the Handwriting of Julia Warhola and Phung Vo
365
Reviews
FURIO RINALDI: Rhoda Eitel-Porter and John Marciari, Italian Renaissance Drawings at the Morgan Library & Museum
383
DIETMAR SPENGLER: Sonja Brink and Francesco Grisolia, eds., Die Zeichnungen des Giovan Battista Beinaschi aus der Sammlung der Kunstakademie Düsseldorf im Kunstpalast
395
ISABELLE MAYER-MICHALON: Benjamin Couilleaux and Florence Hudowicz et al., Génération en révolution: Dessins français du Musée Fabre, 1770–1815
401
Letter
408
Advertisers
In This Issue
409

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Table of Contents Articles

Articles
GIULIA DANIELE: Prospero Fontana and the Impact in Bologna of Perino's Christ Healing the Lame at the Pool of Bethesda
291
MATHEW NORMAN: Two New Drawings Related to Prints in the Carracci Scuola perfetta
307
ÁNGEL RODRIGUEZ REBOLLO: An Unpublished Design for a Retable by Alonso Cano in the Musée Magnin, Dijon
317
ANGELAMARIA ACETO: A Drawing by Simone Cantarini, Called Il Pesarese, in the Ashmolean Museum, Oxford
327
MARTIN EIDELBERG: Watteau’s Drawings for the Plays of Thomas and Pierre Corneille
333
FRANÇOIS MARANDET: Jean-Baptiste Vanloo: His Draftsmanship Elucidated
343
JON DAVIES: Sell Your Parents: Marketing the Handwriting of Julia Warhola and Phung Vo
365
Reviews
FURIO RINALDI: Rhoda Eitel-Porter and John Marciari, Italian Renaissance Drawings at the Morgan Library & Museum
383
DIETMAR SPENGLER: Sonja Brink and Francesco Grisolia, eds., Die Zeichnungen des Giovan Battista Beinaschi aus der Sammlung der Kunstakademie Düsseldorf im Kunstpalast
395
ISABELLE MAYER-MICHALON: Benjamin Couilleaux and Florence Hudowicz et al., Génération en révolution: Dessins français du Musée Fabre, 1770–1815
401
Letter
408
Advertisers
In This Issue
409

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Articles
GIULIA DANIELE: Prospero Fontana and the Impact in Bologna of Perino's Christ Healing the Lame at the Pool of Bethesda
291
MATHEW NORMAN: Two New Drawings Related to Prints in the Carracci Scuola perfetta
307
ÁNGEL RODRIGUEZ REBOLLO: An Unpublished Design for a Retable by Alonso Cano in the Musée Magnin, Dijon
317
ANGELAMARIA ACETO: A Drawing by Simone Cantarini, Called Il Pesarese, in the Ashmolean Museum, Oxford
327
MARTIN EIDELBERG: Watteau’s Drawings for the Plays of Thomas and Pierre Corneille
333
FRANÇOIS MARANDET: Jean-Baptiste Vanloo: His Draftsmanship Elucidated
343
JON DAVIES: Sell Your Parents: Marketing the Handwriting of Julia Warhola and Phung Vo
365
Reviews
FURIO RINALDI: Rhoda Eitel-Porter and John Marciari, Italian Renaissance Drawings at the Morgan Library & Museum
383
DIETMAR SPENGLER: Sonja Brink and Francesco Grisolia, eds., Die Zeichnungen des Giovan Battista Beinaschi aus der Sammlung der Kunstakademie Düsseldorf im Kunstpalast
395
ISABELLE MAYER-MICHALON: Benjamin Couilleaux and Florence Hudowicz et al., Génération en révolution: Dessins français du Musée Fabre, 1770–1815
401
Letter
408
Advertisers
In This Issue
409
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